Continuing with my investigation of 3-dimensional interpretations and extensions of Piet Mondrians work, this conversation lasted the longest and has produced the largest and most flexible sculpture so far. The utilisation of  industrial pallets allows one to consider notions of nature - they are made of rough, unfinished wood, and their design & manufacture allows compositions that yield blocks of colour with vertical and horizontal lines lines to create a finished, geometric, stylised sculpture. The work may be conceived as a 3-dimensional painting yet after application of paint one can see the rough finish and grain of the wood whilst the glossy appearance of the coloured paint has a plastic-like texture to it. Mondrian often only used red, blue and yellow in his compostions but I have added a fourth colour, that of green, which relates to and is an abundant colour found in nature, further extending the investigation and adding a personal touch. This work began as part of a commission for The Camberwell Arts Festival, (see other pages on this site), and was extended from the version exhibited there, culminating in a piece that has 360 degree views and numerous possibilities for alternative compositions